|
|||||||||||||||||
|
'Rrose Sélavy' is Marcel Duchamp's female alter-ego. A number of his artworks are signed with her name, and he also dressed as her for public events. The name is a pun for the French, "Eros c'est la vie." Eros is life. The first exhibition of Rrose Sélavy was January 2017, at Gallery 110 in Seattle. The multi-media, kinetic installation delighted hundreds of visitors on opening night. (While not shown rotating around the sculpture, the veil you see in the video is driven by a computer fan which turns on every two minutes.)
Scroll right to see more about this project.
MORE > |
![]() |
The Rrose Sélavy installation is an homage to Duchamp's work, in particular his masterwork, Bride Stripped Bare by Her Bachelors, Even. This work, also known as The Large Glass, consists of two parts, the upper portion is the 'Bride' and the lower the 'Bachelors' Apparatus.' LEFT: David's reinterpretation of Duchamp's Bachelor's Apparatus. RIGHT: Opposite side of the Bachelor's Apparatus. The veil that is shown in the installation video (left) is David's reinterpretation of Duchamp's Bride. [NOTE: these photographs were taken before the motor that rotates the top portion was installed.]
Scroll right to see more about this project.
MORE > |
![]() |
![]() ABOVE: detail of the upper portion of the Bachelor's Apparatus. Scroll right to see more about this project. MORE > |
![]() ABOVE and ABOVE RIGHT: In each corner of the installation space, are large backlit transparencies, four feet wide by nine feet tall. These are enlargements of two small portions of the front of the Bachelor's Apparatus containing the toy girl and leopard. In the backlit transparencies, the toys are enlarged to many times their original size, the girl being nearly seven feet tall. |
![]() INDEX |